Thanks!

A quick note of thanks to everyone who attended Friday night's The Art of Food opening at The Carnegie. It was a crowded, over-the-top spectacle with live performances, "living dolls" modeling fantastic, food-themed dresses created by Cincinnati artist Pam Kravetz and baker/artist The Bonbonerie, and dozens of area chefs dishing out amazing food. Did I bring a camera? No. Sigh. Lesson learned.

If you want to see my work, now's the time. When I left the exhibit, 12 of the 16 collages had sold. So, once the show ends, they'll disappear into the collections of the purchasers. It was exciting to watch people look at the collages and to hear them laugh. I did a lot of work on the labels to explain where the papers came from, which a few people commented on. As you know, the paper itself is important to me, as is letting people know that it is the original paper - not photocopies.

© Mad Women: Joan - Tired of the Glad-Handing, Good Ole' Boy Network -
 Planned A Corporate Takeover (2012)
mixed-media collage: vintage cover illustration (The Delineator, Dec. 1934),
metal button, price tag and foreign currency; recycled parking lot ticket,
ledger paper, and Champion Paper sample; ink; watercolor.
7.5" x 9.5 on archival mat board. Framed with conservation glass.
 Price: $175. (SOLD)

Now, on to Expecting To Fly, which opens 6-9 p.m. Friday at the 5th Street Gallery. I've created new Mad Women, Grand Tour and Out on A Limb collages that all speak to the idea of freedom and empowerment in one way or another.

Low-Hanging Fruit

© Low Hanging Fruit (2012)
mixed-media collage: antique illustration (The Gibson Book, Vol. 2, Scribner's, 1906),
vintage clip art, recycled gift bag and children's book proof, wallpaper sample,  ink,
 watercolor, colored pencil, acrylic sealer. 11.5" x 5.5" on archival mat board.
Matted & framed. Price: $150. (SOLD)

Surreal. That's the first word that popped into my head when I found Çharles Dana Gibson's illustration, "A Peach Crop." So, I opted to make it even more bizarre by adding male hands plucking the ripe fruit. I selected pears rather than peaches, simply because I liked the colors. In truth, either fruit works, since women are compared to both. Some of the hair was colored to accent the fruit, and all of the women's cheeks and lips were painted to help draw attention to the smaller heads.

There are a lot of shadows being cast since every piece is not completely glued down. I hoped to create the illusion of depth by letting some sections of the drawing float. I'm doing that more often with pieces that will be framed and under glass. The "sky" is a wallpaper sample that includes pears, but they are covered up for the most part. The "ground" is composed of handmade paper - a recycled piece of a nice, gift bag - and a children's book page proof.

Gibson could be highly critical of the upper classes and surprisingly wry about both sexes. I'm not sure whether he was being ironic here or not. But, that's good. I like art that makes me think.

Smile, and say "cheese"

© Jonathan Found Juggling the Cheeses To Be
The Most Daunting Aspect of Menu Planning (2012)
Mixed-media collage: recycled paint sample,
 vintage illustrations and menu planner, ink, watercolor.
5"x5" on archival mat board. Matted & framed. Price: $90 [SOLD] 

The man in this vintage illustration looked like he ought to be juggling something. And why not cheese? Actually, I made that decision because I'd been thumbing through a book about French wine that also had terrific photos of cheeses. That got me thinking about cheese courses and picking the cheeses for them. The menu in the background is from a hang-it-in-your-kitchen menu planner published by Volland, circa 1920. Love the inclusion on the menu of "Mock Cherry Pie" - whatever it is. [SOLD]

Sugar High

© Sugar High: It Was For His Own Safety
That Humphrey Was Tethered (2012)
mixed-media collage: vintage illustration,
embroidery thread & Russian print,
Monet exhibition catalog,  Italian wrapping paper
& publisher's catalog; ink; watercolor; acrylic sealer;
5.5" x 11.5" on archival mat board. Matted & framed.
Price: $150.

In my mind, Humphrey - whose name has changed three or four times already - was destined to float. At first, I tried to squeeze him into the 5" x 5" format I was using for pieces that will be in The Art of Food exhibit. I liked the idea of him being cramped - but part of him would've been chopped and there wasn't enough air surrounding him to show that he was up in the air.

Looking around the studio, my eyes landed on an oblong mat. Once Humphrey was placed inside it, I knew I was going larger. That, in turn, led to a second series of six collages for the show using the same long, narrow format.

Dream on ...

© Maria And Osgood Aspired To Be Among The 1% (2012)
mixed-media collage: vintage illustration and cookbooklet
cover;  recycled paint chip sample, greeting card text and
champagne ad; watercolor; ink; acrylic sealer.
5" x 5" on archival mat board. Matted & framed. (SOLD)

People wonder where my ideas come from. Generally, the best ones are not over thought; they POP into my head while I'm looking through my stash. The illustration of the couple here is a good example. The moment I saw it, I hit on the idea of a collage about aspirations.

I knew color champagne bottles were somewhere in the "drinking" bin - yes, my stash is that organized. Then, in the "cooking booklets" bin, I found the caviar cook-booklet, a 1984 leftover from my food writing days. I was already using the paint chip samples for the entire series -  I love the names of paint colors and was waiting and waiting to use the growing pile of samples - and found one with "Champagne Ice."

Most of my pieces are about empowering women and the working title for this was "Maria Felt It was Time to Introduce Osgood to The Finer Things In Life." At that point, it didn't have the text bubble. Then, a funny thing happened: I got into a political discussion with my studio neighbor, painter Frank Satogata. Afterward, I saw the collage with new eyes and a new title POPPED into my head.

That change spurred a search for words, which I thought would bolster the commentary - and add movement to a somewhat static piece. I still can't believe I found just-the-right text bubble. It's from an early 1980s set of satirical British postcards called "Life in the Fast Lane."

As to whether this is a Republican or Democratic statement, well, that depends on the point of view of the person looking at it, doesn't it?

Food, glorious food!

© For the Twins, Cocoa Was More Than a Beverage,
It Was a Lifestyle (2012)

mixed-media collage: recycled tissue paper,

vintage illustrations, antique ads, ink,

 watercolor. 5.5"x11.5" on archival mat board.
Matted & framed. Price: $150. (SOLD)

You know you're having fun in the studio when you find yourself laughing out loud. That's been the case during the past two weeks as I've worked on new collages for The Art of Food, an annual exhibition at the Carnegie Visual And Performing Arts Center in Covington, Ky.

You would've thought that as a trained chef, and former restaurant critic/food editor & reporter, this would have been, well, a piece of cake. No. I struggled with ideas for weeks and weeks after I was invited to show. I've loved this exhibition from the get go and wanted to make striking pieces that equaled my strong feelings.

I landed on an elaborate, decoupaged glass idea that would combine anatomy and food. Problem? I'd never done decoupage on glass. I researched, read, tested and retested before coming to the conclusion that I wasn't going to master it in time for the exhibit, which opens March 2 but is being hung a week or two earlier.

So, back to my original idea for a series of narrative "Food for Thought" pieces. This is the first one and it's part of my effort to scale up. I'm not sure that I'll post every piece in the series, after all, there should be some surprises left for exhibit goers - as well as an enticement to get you there. [SOLD]