Out On A Limb: 20

© Out On A Limb: 20 (2012)

mixed-media collage: antique illustration

 (Birds of New York, Vol. 2, New York State Museum, 1914);

 recycled catalog covers and wrapping paper; watercolor; ink; marker; 

acrylic sealer; acrylic varnish. 6" x 6" on birch panel. $85 (SOLD)

Talk about a struggle. Aieeee. The stormy main section of the background was created with the intention of using another pair of birds - one color, one black-and-white - and some text. I cut, repositioned, painted, cut some more, colored, repositioned again. But it wasn't working. So I set it aside and continued other collages in the series.

Then, I came across these cool falcons perched on rocks. Perfect. After additional background layers and a fair amount of painting on both the rocks and feathers, it was finished. The absence of leaves and trees makes it a departure from the rest of the series - and although it is numbered 20, it was completed after 24.

Shout-outs from CityBeat & Aeqai

© The Grand Tour: One Small Step (2012)

mixed-media collage: hand-painted fashion plate (Godey's Lady's Book, Dec. 1842); 

antique maps (Guyot's Physical Geography, Scribner's, 1872;
Natural Advanced Geography, American Book Co., 1901);

 vintage illustrations (Whole Earth Catalog back cover, fall 1969; 

Harter's Picture Archive, Dover, 1978); watercolor; ink.
 8" x 11" on archival mat board. Framed. Price: $185. (SOLD)

I've been in Philly for a few days now visiting family and friends - and just found some time to catch up on things, including last week's issue of CityBeat and the March edition of Aeqai. Both include flattering - whew - reviews of Expecting to Fly.

"In Expecting to Fly, on view at 5th Street Gallery downtown, Pearce’s whimsical worlds do not disappoint," writes Alan Pocaro in CityBeat. "The mischievous characters that inhabit her small-scale works are always clever but never cloying. In addition to the many series’ curious juxtapositions and sheer visual delight, Pearce’s labels catalog the intriguing origins of her disparate source materials, a herculean task in its own right.

"A quick first take on Sara Pearce’s Expecting to Fly at 5^th Street Gallery downtown shows her a words person as well as a visual artist," says Jane Durrell in Aeqai. "And no wonder; words were her trade during her Cincinnati Enquirer years, when she reported on restaurants, books, sometimes visual arts, and was a features editor. What collages require, however, is a good eye; Pearce has it. If word play is essential in the way she shapes her work, it should be said that her words are sharp, funny and slyly pointed."

I hope you get a chance to stop by the gallery to see the show, which is on view through Saturday April 7. Oh, by the way I'll be there 2-6 p.m. on Saturday March 31 and would love to tell you more about the work - and the papers used to make it!
 

Mad Women: The Gloves Were Off

© Mad Women: The Gloves Were Off (2012)

mixed-media collage: vintage illustrations (McCall's Pattern Book, March 1946;

Butterick Pattern Book, Fall 1953; Picture Sourcebook, Dover, 1974), 

vintage Deutsche Bank calendar (1958), recycled ads and flash card, ink.

 5.75" x 9.25" on archival mat board. Framed with conservation glass.
Price: $150. 

This came about in a more random way than many of my collages. The woman was cut-out to use with a 1950s wallpaper sample background whose pattern I found to be too busy. So, the hunt began for a better background. It took a lot of rummaging before landing on the calendar, which was snapped up at a used book sale for the graphics above the calendar (beautifully printed, stained-glass images from German churches). It wasn't until I looked at it again last week that I realized the year was 1958 - perfect for "Mad Women."

The gloves and "hot" are from advertisements received in the mail. At first, I thought I'd use black & white gloves, but these have more punch. The screw/bolt digs into a block from a flash card set that was a last-minute addition, because I was determined to have her leaning on that screw even though it wasn't long enough.

Originally, she was holding the apron, too - not the knives, scissors, etc. - but when I spotted them, I decided to have her wear the apron instead. Finally, she was tilted a bit to really give the appearance of leaning but also to add a bit of a diagonal to the vertical composition.

Out On A Limb: 24

© Out on A Limb: 24 (2012)
mixed-media collage: recycled wallpaper sample & publishers catalog;
vintage John J. Audubon calendar illustration (1990); ink; chalk; acrylic sealer;
acrylic varnish. 6" x 6" on birch panel. $85 (SOLD) 

Hmmm. It may be time to stop numbering these and write real titles. In any case, it looks like the series will go on for some time. I am enjoying making these and coming up with new versions of the black & white/color bird combo.

As usual, this changed a few times - mainly the birds behind the cage. What I really like about it - beyond the striking color combination - are the three layers of birds and how they echo one another.

Thanks!

A quick note of thanks to everyone who attended Friday night's The Art of Food opening at The Carnegie. It was a crowded, over-the-top spectacle with live performances, "living dolls" modeling fantastic, food-themed dresses created by Cincinnati artist Pam Kravetz and baker/artist The Bonbonerie, and dozens of area chefs dishing out amazing food. Did I bring a camera? No. Sigh. Lesson learned.

If you want to see my work, now's the time. When I left the exhibit, 12 of the 16 collages had sold. So, once the show ends, they'll disappear into the collections of the purchasers. It was exciting to watch people look at the collages and to hear them laugh. I did a lot of work on the labels to explain where the papers came from, which a few people commented on. As you know, the paper itself is important to me, as is letting people know that it is the original paper - not photocopies.

© Mad Women: Joan - Tired of the Glad-Handing, Good Ole' Boy Network -
 Planned A Corporate Takeover (2012)
mixed-media collage: vintage cover illustration (The Delineator, Dec. 1934),
metal button, price tag and foreign currency; recycled parking lot ticket,
ledger paper, and Champion Paper sample; ink; watercolor.
7.5" x 9.5 on archival mat board. Framed with conservation glass.
 Price: $175. (SOLD)

Now, on to Expecting To Fly, which opens 6-9 p.m. Friday at the 5th Street Gallery. I've created new Mad Women, Grand Tour and Out on A Limb collages that all speak to the idea of freedom and empowerment in one way or another.

Out On A Limb: 15

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© Out On A Limb: 15 (2012)
mixed-media collage: antique engraving (Chatterbox),
vintage illustration (National Geographic Florida map),
recycled greeting card, ink, watercolor, colored pencil,
 acrylic sealer, acrylic varnish. 6"x6" on wood panel.
 Price: $85.  

About half the people I know are in Florida at the moment, so this new collage in the Out On A Limb series seemed apt. I haven't sealed it - yet - so I'm still debating whether to remove some of the golden grass or add more. The color birds, leaves and grass are one piece. Cutting the grass proved the most challenging; lots of it was trimmed back, some of it accidentally. I just happen to have two more copies of the map, which was a used bookstore find. Hmmm ...

Deconstructing to reconstruct

A few collages have been sitting around the studio for a little over a year and, to be honest, I'm tired of them. Unlike many other artists, I don't like to stockpile work. So, little by little, many of the pieces are being reworked. "Spring," above, which I blogged about last February, is the latest collage to be given a new life.

I cut it in half, added paper to the left side, then a Victorian scrap butterfly that happened to be on my work table at that moment, and - voila! - "Out on A Limb: 17," below. The bottom half of the original will find its way into another piece, while the new collage finds its way into my "Expecting to Fly" exhibit at 5th Street Gallery next month.

© Out On A Limb: 17 (2012)
mixed-media collage: antique French postcard & text,
vintage print, recycled catalogs, acrylic gel transfer,
watercolor, acrylic sealer, acrylic varnish.
 5" x5" on Claybord/hardwood panel. Price: $75. (SOLD)

Out On A Limb: 12

© Out On A Limb: 12
mixed-media collage, recycled catalog cover
& wrapping paper, vintage illustrations, watercolor,
colored pencil, acrylic sealer. 6"x6" on wood panel (2012)
Price: $85.

Yesterday was gray, cold and wet, wet, wet. I thought I'd cheer myself up by posting colorful parakeets. This morning is equally drab, so here's another one of the bright bird collages I'm working on for March's Expecting to Fly exhibit at 5th Street Gallery.

I was determined to use this peacock - and following along with the black & white/color bird pairings of earlier collages in the series, it was paired with a black & white engraving. A partridge was also in the print, and it was echoed via a gorgeous, colored partridge.

So where are those birds? Well, the black & white ones are the backside of the parakeet print and the colored partridge is back in the files. Why? I goofed. It seemed that the b&w print needed to be toned down in order not to compete with the beautiful plumage of the colored birds. I wanted to use paper to achieve a muted effect and chose a golden-hued piece of vintage tissue. Well, it was a too opaque and obscured the background.

Onto Plan B, which turned into a challenge. Since the series title is Out On A Limb, I wanted the peacock on a limb. I hit on the idea of using a peacock feather as a branch. Piece of cake, right? Wrong it took hours to cut out the feather from a recycled piece of wrapping paper. Then, once it was done, gulp, I decided the collage needed another one. After cutting out another entire feather, only part of it was used. So it goes.

Out On A Limb: 16

© Out On A Limb: 16 (2012)
mixed media collage: recycled print &  catalog cover,
vintage illustrations, India ink, watercolor, gouache,
acrylic sealer. 5"x5" on wood panel (SOLD)  

Just the other day, I was debating whether to use the beautiful images by artist Arthur Singer from Golden Press' 1961 edition of Birds of the World. Well, the die was cast when I paired a trio of Singer's vivid parakeets with a vintage, black-and-white illustration.

The latter's from Vol. I of the Encyclopedia of Source Illustrations: A Portable Picture Library of 5,000 Steel Engravings (Morgan & Morgan, Inc., 1972). The 2-volume book reprints the amazingly detailed engravings created for the multi-volume Iconographic Encyclopedia of Science, Literature and Art (1851). Expect to see more of the engravings cropping up in coming months, because they're my new obsession.

Touring again, but having more fun

© The Grand Tour: Airborne (2012)
mixed-media collage, recycled book cover,
 antique circus poster reprint, vintage illustration,
watercolor, India ink. 11.5" x 8.5" on archival mat board. Price: $185. (SOLD)

The Grand Tour is back but evolving. I'll continue using the fantastic, hand-painted 19th century fashion plates from Godey's Ladies Book and Peterson's Magazine, but am not limiting myself to them. Something clicked when I created pieces for last fall's Cincinnati Dreams Italy exhibition and the series was suddenly lighter and cheekier, with women who were less passive.

The pieces are also becoming larger, not enormous, but bigger than they've been. I'm excited and working like crazy on these, as well as other pieces for my March show - "Expecting to Fly" - at the 5th St. Gallery downtown (link in side rail). Well, it's off to the studio. There's lots of work to be done!