Showing posts with label Cincinnati Dreams Italy. Show all posts
Showing posts with label Cincinnati Dreams Italy. Show all posts

Monday, January 23, 2012

Touring again, but having more fun

© The Grand Tour: Airborne (2012)
mixed-media collage, recycled book cover,
 antique circus poster reprint, vintage illustration,
watercolor, India ink. 11.5" x 8.5" on archival mat board. Price: $185. (SOLD)
The Grand Tour is back but evolving. I'll continue using the fantastic, hand-painted 19th century fashion plates from Godey's Ladies Book and Peterson's Magazine, but am not limiting myself to them. Something clicked when I created pieces for last fall's Cincinnati Dreams Italy exhibition and the series was suddenly lighter and cheekier, with women who were less passive.

The pieces are also becoming larger, not enormous, but bigger than they've been. I'm excited and working like crazy on these, as well as other pieces for my March show - "Expecting to Fly" - at the 5th St. Gallery downtown (link in side rail). Well, it's off to the studio. There's lots of work to be done!

Tuesday, October 4, 2011

The Grand Tour 16: Maude and Henrietta Discover
That a Teapot Is a Discreet Decanter for Chianti


Here's the last of the new collages for the Cincinnati Dreams Italy exhibit, which opens 6-8 p.m. Thursday with a progressive potluck reception that will move visitors through the four exhibit sites - and will continue 11 a.m.-5 p.m. during the next three weekends (Oct. 8-9, 15-16, 22-23).

The women are courtesy of Godey's Lady's Book, which featured numerous black-and-white fashion plates in addition to the larger, hand-colored ones. The "rug" beneath their feet might look familiar. It is recycled holiday wrapping paper designed by architect Michael Graves based on drawings he made in Tuscany. It was folded and tucked inside a Christmas card that I received from his office back in my reporting days. I used it before in The Grand Tour: 4 as part of the fabric of a Godey's traveling cloak.

5.5" x 8.5" with ink & watercolor on archival mat board. {SOLD}

Wednesday, September 21, 2011

Cincinnati Dreams Italy

The Grand Tour 13: "The Group Halted In Germany
But Emily's Heart  Leapt Ahead to Venice."©
 Mixed-media collage on antique book cover. 
As mentioned in a post a few days ago, you can see how area artists view Italy next month in "Cincinnati Dreams Italy," a special exhibition downtown. It's the brainchild of Kathy Holwadel. She was asked by the Taft to plan a series of Italian-themed events to complement "George Inness In Italy," the museum's big fall exhibition.

Well, to say she got carried away is an understatement. The expansive local artists' exhibit - up to three dozen artists and counting - is spread out in four historic buildings near the Taft and is just one part of the line-up. There also are tastings, a bocce tournament and a communal dinner. The Taft has posted this page on its website with some of the details and there are even more on the School Amici website (that's the local Italian language school owned by Kathy's husband, Michele) and regular updates on the school's Facebook page.

I'll be showing in Park Place at Lytle at 400 Pike St. - right next door to the Taft - along with Kay Hurley, Oliver Debikey, Michael Wilson, Karen Heyl, Mark Patsfall, the Thunder-Sky group and Kevin Muente. As at each site, it's a great mix of mediums from painting and sculpture to glass and photography. Dates are Oct. 8-9, 15-16, 22-23. Admission is free and 30% of the proceeds from art sales will go to the Taft.

The Grand Tour 18: Mama Encouraged the Girls to
Continue Sightseeing While She Put Up Her Feet


It's probably no surprise that since I collect all kinds of paper, some of it is from my travels. We've made a number of trips to Italy and while I find it hard to depart with my own mementoes, I did end up using a few in this piece: the lira coin, the ticket from the naval museum in Venice (I still have another one) and the oversized postcards of Rome that I found in a shop (they came from a marvelous book of sepia-toned postcards that unfolds to be about 5 feet long).  7.5" x 9.5" on archival mat board

Sunday, September 18, 2011

The Grand Tour 17: Matilda's Decision To Remain in Italy
Answered The Question That Had Hung In The Air For Weeks


This was one of those nice surprises. I had cut out the women from a Peterson's magazine fashion plate to use in another collage but decided on a different grouping. Then, while searching for an image, I found this golden-infused Italian scene and a new collage was born instantly. That doesn't happen often, but when it does, well, it's pure fun.

I was itching to use the beautiful olive branch, which came from a recycled publishers catalog cover, and had a few ideas about the text when I found this snippet in one of my "word" files. Yes, I'm organized to the hilt when it comes to filing paper and have to resist the urge to subdivide it all even more.

This might be one of my favorites in the series for the "Cincinnati Dreams Italy" exhibition, because it reminds me so much of light-infused autumn afternoons in Tuscany and of the silvery olive trees that lined the walk to one of the first places we stayed in the hills just outside Florence. 8" x 8" on archival mat board. (SOLD)

Thursday, September 15, 2011

The Grand Tour resumes ... in Italy


I took a break from The Grand Tour series for a couple of months but jumped back into it head first during the past week with five new collages about Italy. They're for the exhibit, Cincinnati Dreams Italy, which will be held Oct. 8-9, 15-16 and 22-23 in historic buildings near the Taft Museum of Art.

The show's the brainchild of Kathy Holwadel, who has a penchant for thinking up cool ideas and it's just one of the events she's cooked up as an offshoot of the Taft exhibit "George Inness In Italy," which opens Oct. 7. There are dozens of Cincinnati artists involved. I'll post details - hours, etc. - as soon as I can; meantime, read more about it on La Piazza, Kathy's blog.

This is No. 15 in The Grand Tour series. I've started adding subtitles; this one - which I admit to changing five times in the last 48 hours - is "The Grand Tour 15: Upon Closer Examination, Elizabeth Realized That Her Guidebook Had Failed Miserably In Its Description of David." It's a hand-colored, antique Peterson's Magazine fashion plate combined with images from vintage guidebooks, maps and brochures. 5.5" x 8.5" on archival mat board with India ink. {SOLD}

Monday, August 8, 2011

Italian Shoes: A Woman Can Dream


This collage may look familiar to regular readers. It's an updated version of The Yearning, which I had been looking at for a while, rethinking it. My first impulse was to cut it down, but I resisted. Instead, I kept changing the title; it went from "The Yearning" to "Shoe Fetish" to "A Girl Can Dream" to "Italian Shoes: A Woman Can Dream."

But the other day, I was leafing through the Dec. 1940 issue of Ladies Home Journal searching for images for a food series and happened to glance up at the collage just as a shoe ad caught my eye. Aha moment! More shoes, that's what it needed. I added two that are bigger than the others and help direct the eye. Small change but a big difference. So, it remains the same size:  5.5" x 8.5" on archival mat board. {SOLD}